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更新至第25集
田曦薇,張凌赫,任豪,孔雪兒,鄧凱,李卿,喻鐘黎,劉琳,嚴屹寬,岳暘,杜淳,譚凱,毛林林,葉祖新,於洋,李建義,田麗,寇佔文,付淼,盧勇,苑冉,王九勝,高卿塵,賈妮,金珈,林沐然,林思意,何昶希,高上淇,李殿尊,管雲鵬,管梓淨,張舒淪,李昱唯,向夏,韓浩天,王亭文,曹晏寧,吳佳峻,楊賀
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更新至第24集
譚松韻,董晴,奚望,高至霆,王勁松,劉威,石雲鵬,趙志偉,王千果,邊程,曲哲明,任帥,郭鵬,戴向宇,童蕾,胡小庭,徐筠,馬德鍾,趙亮,黃璐,劉園媛,盧琳,姜馥頤,馬亮,朱鐵
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37集全
周翊然,包上恩,餘嘉誠,範靜禕,邊天揚,段鈺,閆玉晨,袁文康,李媛,經超,盧杉,車保羅,趙英博,盛一倫,萬鵬,李昀銳,劉潤銘,單敬堯 ,程泓鑫,楊賀文,黃振宇
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已完結
王楚然,丞磊,唐曉天,胡意旋,馬蘇,崔奕,樊少皇,尤靖茹,張瑞涵,隋詠良,赫雷,姬曉飛,謝澤成,郝漢,程泓鑫,梅寶萊,董思怡,鄭鈞顥,孫斌
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全10集
樸河宣,全炫茂,樸娜萊,申東熙,姜智榮
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更新至1155集
田中真弓,岡村明美,中井和哉,山口勝平,平田廣明,大谷育江,山口由裏子,矢尾一樹,長島雄一,池田秀一,古川登志夫,古谷徹,大塚周夫,津嘉山正種,草尾毅,大場真人,寶龜克壽,園部啓一,柴田秀勝,中博史,阪口大助,竹內順子,千葉繁,三石琴乃,掛川裕彥,堀秀行,田中秀幸,大友龍三郎,有本欽隆,大塚明夫,玄田哲章,小山茉美,土井美加,野田順子,渡邊美佐,野上尤加奈,林原惠美,水樹奈奈,園崎未惠,西原久美子,久川綾,澤城美雪,池澤春菜,齋藤千和,神谷浩史,浪川大輔,森久保祥太郎,石田彰,高木涉,檜山修之,子安武人,
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全85集
沉思,李柯以
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更新至132集
史澤鯤,常文濤,林強,周湘寧
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已完結
白鹿,王星越,姚安娜,趙晴,趙弈欽,張維娜,代露娃,李欣澤,侯長榮,何中華,趙子琪,盧星宇,楊星慧,耿樂,尹鑄勝,丁笑瀅,李岱昆,言傑,常鋮
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更新至第12集
裴仁赫 , 盧正義 , 樸棲含 , 河俊 , 樸智賢
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更新至第02集
柳演錫,李絮
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李聖經,李美淑,蔡鍾協
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馬思純,寧理,袁姍姍,翟子路,章濤,範湉湉,張維伊,張志忠,塗凌,任正斌,焦鈺,鄭則仕,朱茵,陳逸恆,夏力薪,柳小海,白薈,王婉娟
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更新至第34集
梅婷 , 田雨 , 陳昊宇 , 李雪琴 , 劉奕鐵 , 周澄奧 , 蘇小玎 , 張月 , 王仁君 , 柯藍 , 張雨劍 , 趙麒 , 石佳靈
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更新至74集
張若瑜,李欣,程玉珠,杜晴晴,虞曉旭,於凱隆,高嗣航,張恆,王宇航,劉宇軒,唐昊
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".
It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.
And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).
Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.
And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.